Himalayan Art Resources

Item: Parnashavari (Buddhist Deity) - (three faces, six hands)

རི་ཁྲོད་མ་ལོ་མ་གྱོན་མ། ནང་ལྷ། 叶衣佛母(佛教本尊)
(item no. 200695)
Origin Location Tibet
Date Range 1400 - 1499
Lineages Buddhist
Material Metal, Mercuric Gild
Collection Private
Notes about the Central Figure

Classification: Deity

Appearance: Semi-Peaceful

Gender: Female

Interpretation / Description

"...the Bhagavan Parnashavari with a body the colour of pure gold; with three faces, six hands; the main yellow face is slightly smiling and slightly wrathful. The right face is white with a calm expression. The left face is red with an expression of desire; each of the three faces has three eyes. The first right hand holds a vajra at the heart; second, an axe in the manner of striking; third, brandishing an arrow. The first left holds a vajra lasso wound around the fore-finger; second, a fan of new leaves with fruit and flowers hanging; third a bow; adorned with various flowers and jewels. Having an upper garment of red cloth of divine material and a lower garment of new leaves thatched together and adorned with many flowers and fruit. With long hair in a tuft, bound upward by a jeweled white snake and in the prime of youth; the body is very beautiful, dexterous and slightly wrathful. The knee of the right leg is pressing down on the seat and the heel is positioned underneath in support. The left is being raised up, seated in a haughty manner." (Thartse Panchen Namkha Palzang. sGrub Thabs Kun bTus, vol.6, fol.603-607).

[46] Parnashavari. "...Parnashavari, [with] three faces and six hands. The main face is yellow, the right white and the left yellow. Also, each [face] has three eyes and is haughty and smiling. The three right hands hold, a vajra, axe and arrow. The three left, a wrathful [gesture] together with a lasso, a fan of new leaves and a bow. Having a crown of hair tied with a flower. Adorned with jewel ornaments and wearing a lower garment of new leaves. Kneeling above hindrances, the right heel blocking the lower door and the sole of the left foot placed on the seat." (Ngorchen Konchog Lhundrub, 1497-1557. Based on the Bari Gyatsa of Bari Lotsawa Rinchen Drag, 1040-1112).

Jeff Watt [updated 6-2019]

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