Origin Location | Central Tibet |
---|---|
Date Range | 1500 - 1599 |
Lineages | Sakya |
Size | 50.80x43.18cm (20x17in) |
Material | Ground Mineral Pigment on Cotton |
Collection | Shelley & Donald Rubin |
Catalogue # | acc.# P1995.24.3 |
Sachen Kunga Nyingpo (1092-1158), the 3rd Throne Holder of Sakya and the patriarch of the early Khon family lineage: Sonam Tsemo, Dragpa Gyaltsen and Sakya Pandita.
Biographical Details:
Sachen Kunga Nyingpo Sonam Tsemo
Dragpa Gyaltsen Sakya Pandita Kunga Gyaltsen
Seated at the top left, Sachen Kunga Nyingpo, in a fatherly demeanour with white receding hair, performs with the two hands the gesture of Dharma Teaching at the heart while holding the stems of two utpala flowers blossoming over each shoulder. Wearing the assorted garments of a layman he sits on a lotus seat surrounded by a nimbus of layered ornate lights. In the upper corner sits a small buddha figure demonstrating the teaching gesture.
At the right is Sonam Tsemo (1142-1182) the eldest son of Sachen and the 4th Throne Holder. With the Dharma Teaching gesture and two blossoming utpala flowers supporting a wisdom sword and Prajnaparamita book he also is attired in the garb of a layman. Above, between the two lamas sits Shakyamuni Buddha. In the upper right sits another buddha figure performing the teaching gesture.
At the bottom left is Jetsun Dragpa Gyaltsen (1147-1216), the second son and 5th Throne Holder, with the teaching gesture and two lotus flowers supporting a vajra and bell; a layman. At the upper left sits Vajrasattva, the buddha of purification.
To the right is Sakya Pandita Kunga Gyaltsen Pal Zangpo (1182-1251), the grandson of Sachen and 6th Throne Holder, with the red hat of a pandita and wearing the robes of a fully ordained monk. Leafing through a Sanskrit text while holding the stems of two flower blossoms supporting a sword and book he sits on a lotus seat surrounded by ornate nimbus patterns. Above, between the two is Mahavairochana, the All-knowing (Tibetan: kun rig), white in colour, with four faces and two hands, seated. To the right is another figure of Vajrasattva.
Western Tibetan in style the painting is heavily influenced by Nepali colouring with dark red tones and rigid geometric form filled with ornate pattern designs.
Jeff Watt 9-98
Thematic Sets
Tradition: Sakya Teachers
Tradition: Sakya Founders
Teacher Portraits: Multiple Main Figures
Teacher: Sachen Kunga Nyingpo Main Page
Collection of Shelley & Donald Rubin
Subject: Margapala Sets (Four Figures)
Painting Set: Margapala [19]