Origin Location | Tibet |
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Lineages | Karma (Kagyu) and Buddhist |
Material | Ground Mineral Pigment on Cotton |
Collection | Private |
Tongwa Tonden, 6th Karmapa (mthong ba don ldan, 1416-1453), the 18th composition from a large set of Karma Kagyu Lineage Teacher paintings known as the Kagyu Sertreng. (See a short biography of Tongwa Donden and see a list of the Karma Kagyu Lineage Sets).
At the upper right corner is Vina Sarasvati, goddess of literature, poetry and wisdom. "...the goddess Sarasvati, with a body white in colour, one face, two hands. Seated in a relaxed manner, with a face like the rising moon, eyebrows like drawn lines, two beautiful eyes like utpalas, casting side long glances like shooting stars, a clear complexion, pink cheeks and attractive. The throat is graceful and gently bending; white breasts, round, firm, upright and full. The left hand holds a jewel-studded vina of the gandharavas, the right a pick strumming the vina enthusiastically with the fingertips. With a very slender waist and flexible hips, a body well proportioned, fair, smooth, young, ample flesh and well rounded. Seated with the two legs, white, smooth, relaxed and desirable, in a slightly crouching manner; attractive braids, long and full, half-loose covering the upper back, half tied up in a topknot blazing with a wishing jewel. At the hairline - wearing a beautiful gold chain strung with flowers, blue, red and the like, wearing earrings of gold flowers and utpalas. Next to the ears are flowing silk ribbons; also adorned with many ornaments, jewel earrings, necklaces, bracelets, anklets, belt, long-necklace and the like. Wearing an attractive upper garment of white cotton and a lower garment like a rainbow; fantastically beloved, radiantly desirous - sixteen years of age." (Jamyang Kyentse Wangpo, 1820-1892).
Jeff Watt 7-2015
bka' brgyud gser phreng rnam thar zla wa chu shel gyi phreng ba bar cha (The Golden Garland of Kagyu Biographies). Situ Chokyi Jungne. Vajra Vidya Institute Library, 2005.
Patron and Painter: Situ Panchen and the Revival of the Encampment Style. David P. Jackson. Rubin Museum of Art: 2009.