Origin Location | Eastern Tibet |
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Date Range | 1800 - 1899 |
Lineages | Karma (Kagyu) |
Size | 41.28x25.40cm (16.25x10in) |
Material | Ground Mineral Pigment on Cotton |
Collection | Rubin Museum of Art |
Catalogue # | acc.# P1996.12.5 |
Painting School | Karma Gardri |
Classification: Person
TBRC: bdr:P8895
Ghantapa, (Tibetan: dril bu pa, English: the One with the Bell); famous amongst the 84 mahasiddhas, embraces the consort while flying in the sky.
In the appearance of an Indian yogi, brown in colour, thoroughly embraced by the wisdom consort he holds in the two hands a gold vajra and bell. Adorned with a crown of dry skulls, gold bracelets and anklets, he wears a long blue scarf and a short skirt of red and green cloth.
Legend: the local King Devapala, who having insulted the mahasiddha, the latter now with vajra-anger and dropping a pot of alcohol, causes the Goddess of the Earth, at the upper left, to incur a flood. A regretful Devapala, with reverence calls out for help. On hearing the petition, instantly the bodhisattva Avalokiteshvara appears standing at the bottom right, white in colour, with one face and two hands, wearing a krishnasara deer skin over the left shoulder, proceeds to save the kingdom by averting the flood. The king, requesting teachings, receives the parting words of the mahasiddha and consort as they ascend to the pureland of the Dakinis.
The mahasiddha Ghantapa is most famous within the Chakrasamvara lineage and plays a role as lineal guru within all the Sarma Schools.
Jeff Watt 10-98
Thematic Sets
Indian Adept: Mahasiddha Paintings, Palpung Composition
Collection of Rubin Museum of Art: Painting Gallery 7
Painting Set: Mahasiddhas, Indian Adepts - Palpung Composition II
Indian Adept Main Page (Mahasiddha)
Indian Adept: Ghantapa Main Page
Indian Adept: Ghantapa (Palpung Style)