Origin Location | Tibet |
---|---|
Date Range | 1300 - 1399 |
Lineages | Kagyu and Buddhist |
Material | Metal, Precious Stone |
Collection | Private |
Classification: Deity
Appearance: Semi-Peaceful
Gender: Female
Parnashavari. Three faces, six hands, two legs. Does she only have one face? Identified by the leaf motif decorating the lower garment which rules out an identification of Janguli.
"...the Bhagavan Parnashavari with a body the colour of pure gold; with three faces, six hands; the main yellow face is slightly smiling and slightly wrathful. The right face is white with a calm expression. The left face is red with an expression of desire; each of the three faces has three eyes. The first right hand holds a vajra at the heart; second, an axe in the manner of striking; third, brandishing an arrow. The first left holds a vajra lasso wound around the fore-finger; second, a fan of new leaves with fruit and flowers hanging; third a bow; adorned with various flowers and jewels. Having an upper garment of red cloth of divine material and a lower garment of new leaves thatched together and adorned with many flowers and fruit. With long hair in a tuft, bound upward by a jeweled white snake and in the prime of youth; the body is very beautiful, dexterous and slightly wrathful. The knee of the right leg is pressing down on the seat and the heel is positioned underneath in support. The left is being raised up, seated in a haughty manner." (Thartse Panchen Namkha Palzang. sGrub Thabs Kun bTus, vol.6, fol.603-607).
[46] Parnashavari. "...Parnashavari, [with] three faces and six hands. The main face is yellow, the right white and the left yellow. Also, each [face] has three eyes and is haughty and smiling. The three right hands hold, a vajra, axe and arrow. The three left, a wrathful [gesture] together with a lasso, a fan of new leaves and a bow. Having a crown of hair tied with a flower. Adorned with jewel ornaments and wearing a lower garment of new leaves. Kneeling above hindrances, the right heel blocking the lower door and the sole of the left foot placed on the seat." (Ngorchen Konchog Lhundrub, 1497-1557. Based on the Bari Gyatsa of Bari Lotsawa Rinchen Drag, 1040-1112).
Jeff Watt [updated 6-2019]