Origin Location | Tibet |
---|---|
Date Range | 1700 - 1799 |
Lineages | Sakya, Ngor (Sakya) and Gelug |
Size | 30.48x30.48cm (12x12in) |
Material | Ground Mineral Pigment, Fine Gold Line on Wood |
Collection | Rubin Museum of Art |
Catalogue # | acc.# F1996.11.6 |
Classification: Deity
Appearance: Semi-Peaceful
Gender: Female
Vajrayogini Mandala (Tibetan: dor je nal jor ma kyil khor, na ro kha chod ma). The dakini Naro Khechari from the tradition of the Indian mahasiddha Naropa.
Sanskrit: Vajrayogini Tibetan: Dor je nal jor ma
In the center of two crossed red triangles stands Vajrayogini, red in colour, with one face and two hands. In the left hand she holds upraised to the sky a skullcup and in the right a curved knife pointed downwards. Against the left shoulder rests a katvanga staff decorated with silk streamers. Adorned with a tiara of skulls, bone ornaments and a necklace of fifty skulls, she stands with the two feet placed on the two gods Kalaratri and Bhairava, above a sun disc and lotus, completely surrounded by the orange flames of wisdom.
The two crossed triangles are each bordered by a yellow edge and the two protruding wings at each side contain small white circles. This geometric structure is placed in the middle of a green circle of swirling vine like patterns surrounded by a ring of lotus petals (Sanskrit: padmavali). In an outer circle around that is the light coloured circle of the eight great charnel grounds. Surrounding that is the small blue circle with alternating gold vajras and gold lines (Skt.: vajravali). The outermost circle is composed of the five coloured flames (Skt.: jvalavali) of the fires of pristine awareness.
Vajrayogini belongs to the 'wisdom class' of Anuttarayoga tantra and arises specifically from the Chakrasamvara cycle of Tantras. In Tibet, the practice of Naro Khecari is included amongst the 13 Golden Dharmas of Glorious Sakya. In more recent times the practice has gained popularity within the Gelugpa School.
Distant Lineage: Vajradharma, Vajrayogini, Mahasiddha Ghantapada, Tengipa, Antarapa, Tilopa, Naropa, etc.
Near Lineage: Vajradhara, Vajrayogini, Naropa, the Phamtingpa brothers, Lokkya Sherab Tseg, Mal Lotsawa Lodro Dragpa, Sachen Kunga Nyingpo (1092-1158), etc.
The painting style with dominant red and blue colours and the intricate floral background designs shows a strong Nepali influence.
Jeff Watt 7-98
Thematic Sets
Buddhist Deity: Vajrayogini Mandala Plate (Naropa)
Collection of Rubin Museum of Art: Mandala
Collection of RMA: Ngor Style Paintings
Subject: Svastika - Bliss Whorl Confusion
Mandala: Mandala Main Page
Mandala: Geometric Shaped Mandalas
Tradition: Gelug Deity Paintings
Collection of Rubin Museum of Art: Painting Gallery 2
Tradition: Sakya Deity Paintings
Buddhist Deity: Vajrayogini Main Page
Painting Style: Tibet (Balri)
Mandalas: Sakya Tradition
Tradition: Gelug Mandalas
Mandalas: Gelug Tradition
Buddhist Deity: Deities (Female)
Mandalas: Female Deities
Buddhist Deity: Vajrayogini, Khechara (Naropa Tradition)
Buddhist Deity: Vajrayogini Mandalas
Buddhist Deity: Vajrayogini, Khechari Manadala
Mandala: Ritual Mandala Plate (Wood)
Mandala: Vajrayogini Mandala Plate