Origin Location | Central Tibet |
---|---|
Date Range | 1200 - 1299 |
Lineages | Kagyu and Taklung (Kagyu) |
Size | 49.86x38.10cm (19.63x15in) |
Material | Ground Mineral Pigment on Cotton |
Collection | The Brooklyn Museum of Art |
Catalogue # | acc. #BMA 1991.86. Gift of the Oriental Art Council |
Taglung Tangpa Chenpo, Tashi Pal (1142-1210): founder of Taglung Monastery (1180), central Tibet - north of Lhasa, the head monastery for the Taglungpa sub-lineage of the Kagyu School.
Handsome with black hair, a slight moustache and goatee, he sits facing forward with the eyes slightly lowered. The two hands perform the mudra (gesture) of teaching, held at the heart with the 8 fingers splayed in similitude of an 8 spoked Dharma wheel. Wearing the red robes of a monk and an outer meditation cloak orange in colour, the two legs are crossed in vajra posture, right over left, with the soles of the feet marked with small golden Dharma wheels. The head is circled by an elaborate orange aureola and a blue nimbus frames the body as he sits atop a multi-coloured lotus and ornate throne. Below that is a temple courtyard scene with three gold stupas at the left, two seated monks and buildings with three faces peering out from the windows.
At the top center is Pagmodrupa Dorje Gyalpo (1110-1170) the teacher of Taglung Tangpa Chenpo.
At the top left, from right to left, are Buddha Vajradhara, Tilopa and Naropa. At the top right, from left to right, are Marpa Chokyi Lodro, Milarepa and an unidentified Lama (possibly Karmapa Dusum Khyenpa).
Descending at the left are the Direction Guardian Virudhaka, Buddha Shakyamuni surrounded by four students, Sahaja Heruka Chakrasamvara, an unidentified lama wearing a yellow hat, and the Direction Guardian Dhritarashtra.
Descending at the right are the Direction Guardian Virupaksha, Chaturbhuja Avalokiteshvara, Vajravarahi, an unidentified lama with a yellow hat, and the Direction Guardian Vaishravana.
Along the bottom, from left to right, is the donor figure wearing monastic robes and seated before an assortment of offerings. Continuing from the left is Heruka Chakrasamvara (without a consort), Chaturbhuja Mahakala with four hands, Aparajita, Artasiddhi Vajravarahi with four hands, Kurukulla with four hands and the Two-faced Vajravarahi.
(For additional information on painting style and art history see Notes on a Taglung Portrait by Jane Casey Singer).
Jeff Watt 3-2002
Thematic Sets
Tradition: Kagyu Teachers (Paintings)
Teacher: Taglung Tangpa Chenpo Page
Buddhist Deity: Aparajita (Secondary Figure)
Collection of Brooklyn Museum of Art
Tradition: Taglung Kagyu Main Page
Collection of Brooklyn Museum of Art (Teachers)
Teachers: Early Paintings of Teachers (Indian Style)
Teachers: Early Teachers (Front Facing)
Teacher: Taglung Tangpa Chenpo (Same Composition)
Collection of Brooklyn Museum of Art (Masterworks)
Collection of Brooklyn Museum of Art (Painting Masterworks)
Subject: Lineage Paintings - Asymmetrical
Subject: Religious Hierarchy & Art in Buddhist Traditions
Teachers: Early Teachers (Single Figures)