Origin Location | Tibet |
---|---|
Lineages | Sakya and Kagyu |
Material | Ground Mineral Pigment on Cotton |
Collection | Rubin Museum of Art |
Catalogue # | acc.# P2000.21.1 |
Classification: Deity
Appearance: Animal-Feature
Gender: Male
Summary: This form of Ganapati is an emanation of Lokeshvara.
Ganapati, Maha Rakta (Tibetan: tsog gi dag po, mar chen. English: The Great Red Lord of Hosts). A Tantric Buddhist form of Ganapati (Ganesha) related to the Chakrasamvara Cycle of Tantras. This form of Ganapati is regarded as an emanation of Avalokiteshvara.
"...beside a lapis lazuli rock mountain is a red lotus with eight petals, in the middle a blue rat expelling various jewels, [above] Shri Ganapati with a body red in colour, having an elephant face with sharp white tusks and possessing three eyes, black hair tied in a topknot with a wishing-gem and a red silk ribbon [all] in a bundle on the crown of the head. With twelve hands, the six right hold an axe, arrow, hook, vajra, sword and spear. The six left [hold] a pestle, bow, katvanga, skullcup filled with blood, skullcup filled with human flesh and a shield together with a spear and banner. The peaceful right and left hands are signified by the vajra and skullcup filled with blood held to the heart. The remaining hands are displayed in a threatening manner. Wearing various silks as a lower garment and adorned with a variety of jewel ornaments, the left foot is extended in a dancing manner, standing in the middle of the bright rays of red flickering light." (Ngorchen Konchog Lhundrup, 1497-1557).
Jeff Watt 8-2001
(For additional information see Dancing Ganapati in Sacred Visions: Early Paintings From Central Tibet by Steven M. Kossak & Jane Casey Singer, The Metropolitan Museum of Art).